In this issue: COMMENT ´´Activism v. Restraint´´, by Jeffrey Toobin: President Obama faces a Supreme Court dominated by political adversaries.THE WAYWARD PRESS´´Rage Machine´´, by Rebecca Mead: Andrew Breitbart’s empire of bluster. ONWARD AND UPWARD WITH THE ARTS´´Immigration Blues´´, by Alec Wilkinson: On the road with Los Tigres del Norte.SHOUT & MURMURS´´Your New College Graduate: A Parents’ Guide´´, by Simon Rich. ON TELEVISON´´Talking Dirty´´, by Nancy Franklin: Chelsea Handler sexes up late night. THE CURRENT CINEMA´´Straight Arrow´´, by Anthony Lane: A review of Ridley Scott´s Robin Hood. 1. Language: English. Narrator: Mark Moran. Audio sample: http://samples.audible.de/pe/nyer/100519/pe_nyer_100519_sample.mp3. Digital audiobook in aax.
Bryan Caplan and Will Wilkinson discuss ´´dumbocracy´´. Christopher Coyne talks about the pitfalls of installing democracy. Plus, Robert Novak on smoky back rooms, Ben Bernanke on big changes at the Fed, Daniel Mitchell on the global flat tax revolution, and Tyler Cowen on self-help economics. 1. Language: English. Narrator: Bill McGregor. Audio sample: http://samples.audible.de/sp/cato/080101/sp_cato_080101_sample.mp3. Digital audiobook in aax.
Roger Pilon and Ilya Shapiro analyze the latest Supreme Court term. Jason Riley on why conservatives should embrace immigration. Justin Logan on how to prepare for the rise of China. Johan Norberg on the unseen benefits of globalization. Will Wilkinson on the strange psychology of evil. And this month´s featured selection: Ted Galen Carpenter on the Iraq war, Iranian power, and Taiwan´s future. 1. Language: English. Narrator: Caleb Brown. Audio sample: http://samples.audible.de/sp/cato/080801/sp_cato_080801_sample.mp3. Digital audiobook in aax.
A twisty story of murder, guilt and unintended consequences, perfect for fans of Kerry Wilkinson and Mel Sherratt. Two hundred and fifty thousand people go missing in the UK every year. Ninety-one percent of those reported to police are found within 48 hours. Ninety-nine percent of cases are solved within a year. And one percent stay gone. Troubled teenager Emma Thorley vanished without a trace 11 years ago. But now a body has been found.... As news of the discovery travels, the past comes back to haunt all those involved, from the police to Emma´s friends and enemies. Because some secrets cannot be buried for ever...and some dangers never go away. 1. Language: English. Narrator: Tim Bruce. Audio sample: http://samples.audible.de/bk/hodd/000908/bk_hodd_000908_sample.mp3. Digital audiobook in aax.
(1962 ´Delmark´) (35:53/12) The history of the blues has been so vaguely and haphazardly set down that it is difficult, if not impossible, to separate fact from legend. In the veiled and colorful world of the blues-singer this is true to such an extent that many bluesmen extend poetic license from their song lyrics into their everyday life. The story of John Adam Estes has especially been one clothed in the rich trappings of legend. For years, students of jazz and folk music have been listening to Sleepy John Estes records in awe of his unique singing style. They often were willing to pay premium prices for his old recordings on the Victor, Champion, Decca and Bluebird labels at a time when the only serious attention paid blues records was accorded those that featured accompaniments by noted jazz artists. When Big Bill Broonzy was interviewed by Yannick Bruynoghe for the book Big Bill´s Blues (Grove Press, New York), he recalled running away from home ´about 1912´ to work on the railroad just to hear John Estes howling the songs that lightened the workload of the sweating track-laying gangs. Broonzy´s reckoning of Estes´ age would credit the singer with more than 90 years, and this was later ´confirmed´ by Big Joe Williams and other elder bluesmen. When Big Joe informed me that Estes was still living on the outskirts of Brownsville, Tennessee, I naturally was skeptical. No doubt, the improbability of Estes´ being alive so many years after the alleged first brush with Broonzy kept folk researchers Sam Charters, Alan Lomax and Fred Ramsey, among others, from looking for him. Indeed, the legend was so strong that when the good news of the rediscovery of Sleepy John Estes was circulated incredulous letters arrived at Delmark´s offices from blues fans around the world. One English blues fan even registered his disbelief in print. But the legend has come to life. John Estes is not a forgotten man of the past - not a name on vintage record labels, but a flesh-and-blood reality still able to sing as well as ever, still writing blues poetry, and playing better guitar than in former years. A full biography of Sleepy John Estes cannot be presented here but his own lyric ´I was born in Lowry County--Schooled in Winfield Lane´ tells part of the story. The birth-year is 1904 so John is only 58 years of age today. At an early age John lost the sight of his right eye when a friend threw a rock at him during a baseball game. Perhaps this helped turn young Estes to music. At any rate, in 1929 he teamed with mandolinist Yank Rachel and was playing on a Memphis street-corner when he was approached by a Victor talent scout and cut his first recordings at the Hotel Peabody. Another session followed in 1930. The records were reasonably successful, but the depression brought location recording to an end. A few years later John learned that two friends had recorded for the ´new´ Decca label. He hopped a freight to Chicago and recorded six sides that established him as one of Decca´s most important country blues artists. After six years with Decca, John switched to Bluebird for his last shellac recordings in 1941. Besides his own vocals, John accompanied blues-singers Charlie Pickett, Son Bonds, Lee Brown, and teamed with Bonds to form the Delta Boys. Shellac rationing and the 1942-43 recording ban virtually ended ´race´ recording and Estes dropped out of sight In 1950, John was living in Memphis when he lost the sight of his remaining eye. He moved back to Brownsville and married. He now has five children and was living in an abandoned sharecropper´s shack near Brownsville when Chicagoan David Blumenthal found him while photographing a documentary film Citizen South--Citizen North (Blumenthal had heard about Estes from Memphis Slim who, in turn, had heard of John´s whereabouts from Big Joe Williams.) Blumenthal casually mentioned his find to Delmark Records and Estes was brought to Chicago for an exploratory recording session via concerts at Westminster College, the University of Illinois and Purdue University Ironically, John had been to Chicago only a few moments when he discovered that his brother Sam worked at a clothing store next door to Seymour´s Jazz Record Mart where Delmark had its offices John returned to Brownsville after some personal appearances in the Chicago area, to return in a few weeks with his harmonica accompanist of some 30-odd years, Hammie Nixon. Bassist Ed Wilkinson was added for the next recording session at the